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    Paul 
  Klee, who was born in 1879 and died in 1940, was a Swiss Expressionist whose 
  work had many affinities in Surrealism, especially in its interest in dreams, 
  primitive art, and mythology.  Hitchcocks fleeing couples 
  usually have to negotiate their way through treacherous labyrinths that often 
  include large monuments (the Statue of Liberty in Saboteur, Mount Rushmore 
  in North by Northwest).  Paul Klee, whom Hitchcock claimed as one 
  of his favorite painters (and whose original paintings decorated Hitchcocks 
  home), created a mold for the Mount Rushmore set in his drawing Rock Temple. 
   The monumental streaked drawing with its parallel lines resembles the 
  surface of the Mount Rushmore set on which the climax of North by Northwest 
  occurs.  The juxtaposition here of the small characters and the large monument 
  is an important part of Hitchcocks style of suspense.  The architectural 
  perspective shown in Klees drawing was an important aspect of Modernist 
  art in the 1930s and in many of Hitchcocks films.  The labyrinthine 
  Rock Temples jagged edges are reminiscent of the recurring Hitchcockian 
  moment of a character dangling over a chasm, as in Vertigo, Young 
  and Innocent, and North by Northwest. |