In the 16th century, Charles V decided to construct a cathedral in the middle of the mosque, putting his Christian stamp on this Muslim monument.
2 Mingling with the original elements of the mosque, such as the polylobed striped arches, the cathedral places Christian symbols and functions on top of this major site of Islamic art and architecture. This is a clear example of
triumphalist appropriation since Charles V simply desired the power associated with the Great Mosque, with no regard to the religious function.